Fifteen-year-old Sarah Taylor exists in the eye of the storm. The sole caretaker of her family, including precocious twin siblings and a manic-depressive mother who spends most of her time in bed, Sarah runs from school to home to work each and every day. Yet, despite her Herculean efforts to put food on the table and keep the electricity on, she is still forced to engage with more dehumanizing ways to make a few extra bucks-so it's no wonder that her back is up among her peers at school. Jellyfish tells the story of Sarah's discovery of an unexpected outlet for her frustration and quick-tempered wit: stand-up comedy. First-time feature film director James Gardner paints a dark and hard-edged picture of life in this grey seaside British town, and, in newcomer Liv Hill, he uncovers a revelatory talent. Thanks to her fiercely evocative and vulnerable depiction of Sarah, Hill gives the audience truly remarkable insight into a young woman living a life far beyond her years. Written by Liza Domnitz

Five criminals unknown to each other are hired to complete a bank robbery. What should have been a smooth operation soon descends into paranoia, violence and horror.

Crime novelist Catherine Tramell is living in London, and becomes the center of police investigation (yet again) when her football player boyfriend drowns in a car accident and it is revealed that he was already dead because of a drug overdose before Tramell drove the car into water. Police psychoanalyst Dr. Michael Glass is called for examining Tramell, and is intrigued by the seductive and manipulative woman. On the other hand , his friend Det. Roy Washburn is sure Tramell is guilty. Tramell asks Glass to treat her for her 'risk addiction' problem, and with each therapy session , Glass gets more and more suspicious about her intentions. As more and more murders are committed, including that of Glass's ex-wife, Glass becomes obsessed with proving Tramell's guilt even though the evidence is contradictory .